• Top 16 Ways Non-Profits Can Use Video To Impact Their Audeince

    Top 16 Ways Non-Profits Can Use Video To Impact Their Audeince

    1. The best way to connect with your audience (and make an impact) is to let people see, hear and feel your story through a real life experience. 2. Teach by making people feel. Sympathy and empathy are deep connectors and video is the most effective medium for eliciting feelings. 3. The likelihood of an [...]

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Top 16 Ways Non-Profits Can Use Video To Impact Their Audeince


1. The best way to connect with your audience (and make an impact) is to let people see, hear and feel your story through a real life experience.

2. Teach by making people feel. Sympathy and empathy are deep connectors and video is the most effective medium for eliciting feelings.

3. The likelihood of an audience aligning with a cause is based on creating an emotional connection. Video is the best way to develop this emotional connection.

4. What you’re doing becomes “real” to people when they can see and hear about your progress. Video helps your audiences understand how you have specifically impacted the lives of the individuals you are helping.

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Hope For Best Buddies


Best Buddies Film

DOCUMENTARY STYLE IMPACT FILM: We captured the essence of Best Buddies by focusing on the impact that the program has had on Charles, one of their most outspoken participants.

SOLUTION: We collaborated with Best Buddies and a team at Swirl to create a film that highlights how Charles has been impacted by the Best Buddies program. We specifically focused on Charles’ nation wide effort to stop the use of the “R” word to describe individuals who are mentally challenged. Focusing on his efforts to champion this cause enabled us to show the greater mission to create hope for anyone who faces this kind of blatant discrimination.

RESULT: Charles is a charismatic man and this film has given him and the organization a voice to provide hope and inspiration for participants of the Best Buddies program. This film is an opportunity for him to express the vision of the Best Buddies organization and how they are making the world a better place.

Caine’s Arcade Helps 8yr Old Raise $133k Scholarship

Caine’s Arcade is an amazing story about an imaginative boy who created an Arcade from cardboard in a back room of his Dad’s auto shop. The real story lies in @Nervan ‘s documentary style film that turned his after school creative escapade into a $133k scholarship fund. The film went viral and ended up in TIME, msn, adweek and on NBC. It’s exciting to see that a heart warming story has the potential to have such an impact.

It is particularly interesting to see how the impact portion of this film unfolded. The film doesn’t even hint at raising money or supporting the boy in any way what so ever. In fact, it appears that the scholarship was an after-thought. This is an insightful lesson into fund raising behavior. Engaging an audience is done effectively by inspiring them to build upon the emotional connection they made. Even though the film didn’t have a call to action the audience felt compelled to do something that would make a difference. This is the ultimate desired effect of an engaging film.

This is also an excellent case study that reinforces our approach to filmmaking:  the most effective way to create impact is to focus on a single individual. It is the path to a viewer’s heart and mind. It’s often difficult for non-profits to raise money because they focus on their mission instead of a single individual who has been impacted by their cause. Caine’s Arcade makes an emotional connection that viewers can relate to.

Caine (and his encouraging father) stand for innovation, imagination, entrepreneurism, capitalism, creativity and perseverance. This film struck a chord because the story warmed the hearts of everyone who viewed it. It went viral despite being 10 mins. long because we wanted to see what happened next and because we all felt like we saw a little bit of ourselves in Caine and his father. It’s not sure what role Interconnected played in seeding the film but it certainly didn’t take much for the momentum to accrue.

Alzheimer Documentary on PBS

“You’re Looking At Me Like I Live Here, And I Don’t” is a collaborative effort we helped create which recently premiered on PBS as the first documentary filmed entirely within an Alzheimer’s unit, told from the perspective of someone suffering from the disease. Creating the film on location gave us the opportunity to develop a relationship with and film extremely personal moments with Lee Gorewitz and how Alzheimer’s has changed and influenced her life.

CHALLENGE:

Alzheimer’s Disease has a pround effect that usually leads to extreme mental deterioration. Our goal is to help people understand how the disease manifests. Our hope is that seeing the effects will help prepare family members of the afflicted and make it easier to cope with effects of losing a love one to this disease.

COMMUNICATIONS SOLUTION:

“You’re Looking At Me” is a documentary film that is shot entirely from the perspective of a patient with Alzheimer’s disease. We filmed Lee over a three month period to capture a raw, up-close and personal look at how Alzheimer’s has affected her personality and behavior. We raised awareness and understanding in an effort to help people cope with affected family members. The idea was to raise some important questions like how to most effectively deal with family members who are afflicted with Alzheimer’s and where is the line between full consciousness and complete mental deterioration? We were heavily involved with producing,editing and filming up at the Traditions Alzheimer’s Care Unit.

RESULT:

The film aired multiple days on PBS’ Independent Lens reaching millions through public broadcast and web streaming.

Follow this link for the New York Times review the film.

Watch You’re Looking at Me Like I Live Here and I Don’t on PBS. See more from Independent Lens.

Creating a film that will incite action


This film “It’s Time” tells a moving story and employs powerful cinematic techniques to make an impact.

Our mission is to not only create powerful films that incite action, but do so through a strategy that encourages the film to be shared. Our friends at ListenIn Pictures recently wrote down some helpful strategies for creating a film with the intention of not only getting seen, but invoking support for and attachment to your cause.

One point they make that really resonated was an articulation of a strategy that we’ve been using to springboard our creative development process:

“Focus on stories of transformation and impact. Stories of people overcoming challenges inspire us to believe in our ability to make a difference.”

One of the most exciting (and challenging) parts of making a film is the creative development. One of the strategies we employ is to develop an insight that leads to a new idea by triangulating culture, audience and brand values. As was the case with the “It’s Now” film there are a few connected layers that all led to success:

1. Develop a strong, single-minded narrative - Choose a singular focus. Focus on the story of one individual. Dive deep and get intimate with the story of this individual character. This is the path to creating a powerful and emotional connection with your audience. This individual’s story should do the heavy lifting to bring your mission to life. Besides “It’s Time” we also like the way “The Girl Effect” approaches a global problem by focusing on the individual.

2. Break boundries - Does the film think disruptively? Be authentic; but embrace your desire to think differently if your character naturally lends itself to telling your story in a unique or provokative manner. A disruptive or creative approach will captivate and entertain your audience?

3. Engagement and Sharing - Create a story that embraces emotional elation. Make something so compelling that your audience innately wants to share it.  Engage them in the conversation and entice them to respond to your call to action.

4. Don’t cut corners, quality counts – You’d be amazed at the number of nonprofits who shoot their video on a flipcam and post it to Youtube un-edited. Going the extra distance to mesmerize your audience with a beautifully shot and professionally edited/mixed film will pay off in spades when it comes to sharing and engagement and will build the credibility of your cause.

Stop Digging for Insights


Great post by Emma a thought also articulated by Steve Jobs; the notion that insights aren’t discovered, but rather they are intuited by understanding an audience and making a connection that has previously gone unnoticed.

STOP DIGGING FOR INSIGHTS
I am fed up with digging for consumer insights. More precisely, I am fed up with the assumption that one can dig for consumer insights. I found myself today being asked yet again how I personally go about ‘uncovering’ consumer insights for deployment in advertising development and I tried to explain, again, that – actually – I don’t ever ‘uncover’, ‘find’ or ‘dig for’ them at all. And that I think it’d be helpful if everyone else stopped trying to do so as well. (more…)

Doing Good Instead of Looking Good


This year Toni Morrision gave this commencement speech at Rutgers about living a meaningful life. She makes a wonderful point not only about how the American dream has changed but what it means to do good.

“I have often wished that Jefferson had not used that phrase, “the pursuit of happiness”, as the third right—although I understand in the first draft was “life, liberty and the pursuit of property.” I would rather he had written life, liberty and the pursuit of meaningfulness or integrity or truth.

I know that happiness has been the real, if covert, goal of your labors here. I know that it informs your choice of companions, the profession you will enter, but I urge you, please don’t settle for happiness. It’s not good enough. Of course, you deserve it. But if that is all you have in mind—happiness—I want to suggest to you that personal success devoid of meaningfulness, free of a steady commitment to social justice, that’s more than a barren life, it is a trivial one. It’s looking good instead of doing good.

PORCELAIN UNICORN

In just three minutes and six lines, this film short, Porcelain Unicorn by director Keegan Wilcox, packs a real emotional punch. The film won the Grand Prize in 2010 for the Philips Parallel Lines “Tell It Your Way” international competition and is about a young German boy who has a heart when it comes to a Jewish girl hiding in a storage closet during the Holocaust.

Everything is a Remix (3 of 3)


We heard it before, everything we is built off something that has already been created. So what is the path to creativity and innovation. Great artists spend their formative years producing derrivative work. Hunter S. Thompson wrote out the entire Great Gatsby just to get the feel for writing a great novel and Bob Dylan’s first album had 11 cover songs.

Mapping 3-D project to Amon Tobin’s music